Fancies and Goodnights (New York Review Books)
Editorial Reviews
Book Description
John Collier's edgy, sardonic tales are works of rare wit, curious insight, and scary implication. They stand out as one of the pinnacles in the critically neglected but perennially popular tradition of weird writing that includes E.T.A. Hoffmann and Charles Dickens as well as more recent masters like Jorge Luis Borges and Roald Dahl. With a cast of characters that ranges from man-eating flora to disgruntled devils and suburban salarymen (not that it's always easy to tell one from another), Collier's dazzling stories explore the implacable logic of lunacy, revealing a surreal landscape whose unstable surface is depth-charged with surprise.
About the Author
JOHN COLLIER (1901-1980) was born in London. He began his writing career as a poet, first publishing in 1920. He turned to fiction in the early 1930s, producing the popular and controversial novel, His Monkey Wife, about a man who is married to a chimpanzee. In 1935 Collier left England for Hollywood, where he became an active and prolific writer for film and later television; he was particularly influential in developing the brilliantly creepy and subversive style of such television classics as "Alfred Hitchcock Presents" and "The Twilight Zone." An adaptation from Milton, Paradise Lost: Screenplay for Cinema of the Mind was published in 1973, but never produced as a film. Collier's other works range from the poetry collection Gemini (1931) to the novels Tom's A-Cold (1933) and Defy the Foul Fiend (1934), and the short story collections Presenting Moonshine (1941), Fancies and Goodnights (1951), Pictures in the Fire (1958), The John Collier Reader (1972), and The Best of John Collier (1975).
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